There are some places I always thought I’d never see Chris
Rock; I’ve always figured I wouldn’t bump into him at Quick Chek getting money
from the free ATM or Foot Locker buying Adidas. I also never considered that I
would watch him on Broadway either, at least not acting, I figured maybe his
stand-up comedy would get a run. I’m pretty sure many others thought the same
thing (not about Quick Chek or Footlocker), but about heading to a Broadway
play and seeing Chris Rock’s name on the marquee. Good thing director Anna
Shapiro and playwright Stephen Adley Gugis didn’t think so, because The Motherf**ker with the Hat was the
perfect vehicle for Chris Rock to make his debut on The Great White Way.
Alongside Bobby Cannavale (Will & Grace), Elizabeth
Rodriguez, Annabella Sciorra, and Yul Vazquez, Rock holds his own in Gugis’
tale of addiction, recovery, betrayal, and love. Cannavale stars as “Jackie”, a
recovering addict and ex-con who suspects his girlfriend “Veronica”
(Rodriguez), who’s still using of cheating on him once he spots a hat that
doesn’t belong on a table in their apartment. That’s the initial cut into the
fabric that unravels to reveal the complexities and philosophies. From that
moment, Jackie struggles with his sobriety and rage, while Veronica goes deeper
into her addiction. Jackie’s AA sponsor “Ralph D.” (Rock) and wife “Victoria”
(Sciorra) have numerous years of sobriety, but are watching their marriage come
apart at the seams. Vazquez steals the show as “Julio”, Jackie’s seemingly
homosexual cousin.
The provocativeness does not end at the title; I lost count
of the “F-bombs” dropped during the opening scene and the rest of the script is
littered with language meant to shock, amuse, define, but most importantly
authenticate a story based upon harsh realities and crushed dreams.
While Chris Rock is the name that gets people in the door,
Cannavale’s star turn is an exploration of redemption and desperation, as we
watch Jackie agonize over Veronica’s alleged indiscretion. Overall The Motherf**ker with the Hat is a study
of character; Shapiro’s vision of Rugis’ script delves into the worldview and philosophies
of each of the players, culminating with Ralph D.’s warped cynicism.
But this is about Chris Rock isn’t it? Not exactly. He’s the
star power, but he’s green on the stage, but the material is somewhat of a
comfort zone for him. As he gets deeper into the run, the impeccable timing he
exhibits in his stand-up will translate on stage and the crowds will settle
into seeing him in a different setting. Just make sure you’re in one of those
seats, tickets are going fast and the engagement is only fifteen weeks.
1 comment
Nice job with this piece! I didn't know Chris Rock was going to be on Broadway. I know he's going to be super funny. Lol. I very much enjoyed your writing in this piece. Thanks for sharing this!
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